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However, The Curse of La Llorona fails to capitalize on its premise and to generate consistent suspense, preferring to jolt moviegoers in between the long stretches of dumbed-down dialogue and time-wasting family drama. Rookie director Daniel Chaves stages a few effective frights in a film that preys on common fears and paranoia - which transcend language and cultural barriers - regarding maternal instincts and protecting your children at all costs. They fell in love, got married, and had two baby boys. She came from a poor village, but her beauty won the heart of a wealthy nobleman. According to the myth, La Llorona’s real name is Maria. It tells the tale of the weeping woman, a legend from Mexican folklore.
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The characters just act confused, which is the way they’ll be most apt to connect with audiences. The Curse of La Llorona is being released on April 19th.
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Yet like much of this apparent spinoff, such intricacies are tossed aside in favor of random jump-scares.Īlong the way, doors and windows fly open on cue, doors squeak and lights flicker, nighttime thunderstorms fire up conveniently, and specters repetitively jump out of the shadows accompanied by musical shrieks. The film makes a cursory connection to the Annabelle franchise through the aforementioned priest, who plays the same character in both films and makes a reference to that effect. So it’s not long before Anna’s two young kids are stalked by ghosts in their own home, causing the family to consult a rogue shaman (Raymond Cruz) in a desperate search for answers. But when the children turn up dead after being taken to a city facility, their superstitious mother blames Anna. So her ghost has been trying for years to abduct two kids to replace them.įlash forward to 1970s Los Angeles, where Anna (Linda Cardellini) is a widowed social worker responsible for separating two youngsters from their mentally unstable mother (Patricia Velasquez). As he explains, La Llorona loosely translates to “Weeping Woman,” and is derived from the story of a 17th century woman who drowned her two children to get revenge on her unfaithful husband. The film spends about five minutes summarizing the source of its title, courtesy of a Catholic priest (Tony Amendola) describing its religious ramifications. Perhaps the real-life legend that inspired The Curse of La Llorona was lost in translation.Īny meaningful exploration of Mexican folklore is buried beneath an incoherent parade of horror clichés, leaving this thriller short on actual thrills.